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On a beautiful June weekend in 1967, at the beginning of the Summer of Love, the first and only Monterey International Pop Festival roared forward, capturing a decade s spirit and ushering in a new era of rock and roll. Monterey featured career-making performances by Jimi Hendrix, Janis Joplin, and Otis Redding, but they were just a few performers in a wildly diverse lineup that included Simon and Garfunkel, the Mamas and the Papas, the Who, the Byrds, Hugh Masekela, and the extraordinary Ravi Shankar. With his characteristic verite style and a camera crew that included the likes of Albert Maysles and Richard Leacock D. A. Pennebaker captured it all, immortalizing moments that have become legend: Pete Townshend smashing his guitar, Jimi Hendrix burning his, Mama Cass being blown away by Janis Joplin's performance. The Criterion Collection is proud to present this timeless document of a landmark event.

DIRECTOR-APPROVED TWO-BLU-RAY SPECIAL EDITION FEATURES

• New 16-bit 4K digital restoration of Monterey Pop, supervised by director D. A. Pennebaker, with uncompressed stereo soundtrack
• Alternate soundtrack featuring a 5.1 mix by legendary recording engineer Eddie Kramer, presented in DTS-HD Master Audio
• THE OUTTAKE PERFORMANCES: Two hours of performances not included in Monterey Pop, from the Association, Big Brother and the Holding Company, the Blues Project, the Byrds, Country Joe and the Fish, the Electric Flag, Jefferson Airplane, Al Kooper, the Mamas and the Papas, Laura Nyro, the Paul Butterfield Blues Band, Quicksilver Messenger Service, Simon and Garfunkel, Tiny Tim, and the Who
• Audio commentary by Pennebaker and festival producer Lou Adler
• New interviews with Adler and Pennebaker
• Chiefs (1968), a short film by cameraman Richard Leacock, which played alongside Monterey Pop during its inaugural theatrical run
• Interview from 2002 with Adler and Pennebaker
• Audio interviews with festival producer John Phillips, festival publicist Derek Taylor, and performers Cass Elliot and David Crosby
• Photo-essay by photographer Elaine Mayes
• Monterey International Pop Festival scrapbook
• PLUS: An essay by critic Michael Chaiken
• Trailers and radio spots

PLUS: An essay by critic Michael Chaiken