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As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realized far before it's time. Three decades later the musician - now Glenn Copeland - began to receive emails from people across the world, thanking him for the music they'd recently discovered. Courtesy of a record collector in Japan, a reissue of Keyboard Fantasies and the praise of Four Tet, Caribou and more, the music had finally found it's audience two generations down the line.